Correspondências by Rita Azevedo Gomes. The complex hybrid image of contemporary epistolary cinema and contemporary essay film.
Rita Azevedo Gomes' Correspondências (2016) draws on the epistolary correspondence between Sophia de Mello Breyner Andresen and Jorge de Sena, as well as their respective poetic works, to build an epistolary-poetic, audio-visual and sensory-emotional kaleidoscope based on their reading, reciting and...
| Publicado en: | Visual Studies Vol. 36; no. 4/5; pp. 435 - 450 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Sep-Dec 2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=154390902&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 154390902 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 1472586X J6I jtl: Visual Studies issn: 1472586X maglogo: N pubinfo: dt: Sep-Dec 2021 vid: 36 iid: 4/5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 154390902 10.1080/1472586X.2020.1771202 ppf: 435 ppct: 15 formats: fmt: – @attributes: type: T db: hlh ui: 154390902 – @attributes: type: P db: hlh ui: 154390902 tig: atl: Correspondências by Rita Azevedo Gomes. The complex hybrid image of contemporary epistolary cinema and contemporary essay film. aug: au: Monterrubio Ibáñez, Lourdes su: Gomes, Rita Azevedo Correspondências (Film) Andresen, Sophia de Mello Breyner, 1919-2004 Sena, Jorge de, 1919-1978 Phenomenology sug: subj: Phenomenology Correspondências (Film) Gomes, Rita Azevedo Andresen, Sophia de Mello Breyner, 1919-2004 Sena, Jorge de, 1919-1978 ab: Rita Azevedo Gomes' Correspondências (2016) draws on the epistolary correspondence between Sophia de Mello Breyner Andresen and Jorge de Sena, as well as their respective poetic works, to build an epistolary-poetic, audio-visual and sensory-emotional kaleidoscope based on their reading, reciting and representation in different languages. In this way, the filmmaker generates a kind of phenomenology of reception that uses all the audiovisual possibilities: the different formats, digital and analogue; their multiple textures; and the diverse options of the texts enunciation. The experimentation with their different combinations, also using various image and sound effects, materialises in an epistolary-poetic essay film which reflects on the aesthetic experience and attains a hybrid, complex image defining contemporary cinema: between person and character, diegesis and extradiegesis, digital and analogue images, voice-in and voiceover, private and public, life and work, present and past, absence and presence, that is, between reproduction and representation. Azevedo's essayistic reflection on creation, exile and absence is generated through parataxic thinking and interstitial thinking that create dialectical and symbolic sentence-images. Thus, Correspondências becomes an avant-garde expression of both contemporary epistolary cinema and contemporary essay film. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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