Kubrick's Jewesses Onscreen and Offscreen.

This article considers the Jewess in relation to the art of Stanley Kubrick. By utilizing the latest insights in the emerging field of Kubrick studies, namely the "new historical turn" that is based on exploiting material now deposited in his archive at the University of Arts, London, combined with...

Descripción completa

Detalles Bibliográficos
Publicado en:Shofar: An Interdisciplinary Journal of Jewish Studies Vol. 39; no. 3; pp. 1 - 34
Autor principal: Abrams, Nathan
Formato: Artículo
Publicado: Purdue University Press Winter2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=154542769&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 154542769
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        08828539
        6A0
      jtl: Shofar: An Interdisciplinary Journal of Jewish Studies
      issn: 08828539
      maglogo: N
    pubinfo:
      dt: Winter2021
      vid: 39
      iid: 3
      pid: 19334
      pub: Purdue University Press
    artinfo:
      ui:
        154542769
        10.1353/sho.2021.0033
      ppf: 1
      ppct: 33
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 1.9MB
      tig:
        atl: Kubrick's Jewesses Onscreen and Offscreen.
      aug:
        au: Abrams, Nathan
      su:
        Kubrick, Stanley, 1928-1999
        Jewish women
        Film studies
        Jewish studies
        Jewish identity
        Feminism
      sug:
        subj:
          Kubrick, Stanley, 1928-1999
          Jewish women
          Film studies
          Jewish studies
          Jewish identity
          Feminism
      keyword:
        creativity
        film
        Jewesses
        Kubrick
        production
      ab: This article considers the Jewess in relation to the art of Stanley Kubrick. By utilizing the latest insights in the emerging field of Kubrick studies, namely the "new historical turn" that is based on exploiting material now deposited in his archive at the University of Arts, London, combined with the growing work on Kubrick's Jewishness and on Kubrick and feminism, it argues for a reconsideration of Kubrick's working practices with regard to Jewish women, but also that the notion of the Jewess helps us to understand Kubrick's work. In so doing, it expands our notion of the Jewess beyond explicit representation, thus widening the current boundaries within Jewish film studies. It will attempt to do so by combining a survey of those Jewish women with whom Kubrick worked before analyzing the Jewesses in his projects, in particular how his casting choices, among other factors, leave palimpsestic traces in his films, and hence permitting us the possibility of reading those Jewish actresses as Jewesses onscreen.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Shofar: An Interdisciplinary Journal of Jewish Studies is the property of Purdue University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Shofar: An Interdisciplinary Journal of Jewish Studies
      holder: Purdue University Press
      dt:
        @attributes:
          year: 2021
    holdings:
      @attributes:
        islocal: N