Amor Promiscuo: VIH y Visibilidad en el Chile de la Transición.
The following is a historical journey through the cities of Santiago and Concepción in Chile between 1987 and 1992, a period that we will call of "transition". We will present moments in which certain processes of HIV-AIDS visibility in the public sphere were combined with aesthetic tools from the v...
| Publicado en: | Nomadías no. 30; pp. 191 - 217 |
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| Autor principal: | |
| Formato: | Artículo |
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Universidad de Chile
dic2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=155138254&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 155138254 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07172761 2ELZ jtl: Nomadías issn: 07172761 maglogo: N pubinfo: dt: dic2021 iid: 30 pid: 30789 pub: Universidad de Chile artinfo: ui: 155138254 ppf: 191 ppct: 26 formats: fmt: @attributes: type: P size: 3.5MB tig: atl: Amor Promiscuo: VIH y Visibilidad en el Chile de la Transición. aug: au: DE LA FUENTE, ALEJANDRO affil: Master (c) Universidad de McGill su: AIDS prevention Bible. Revelation Socialization Art Public sphere Community centers Artist collectives Chile Santiago (Chile) Concepción (Chile) sug: subj: Chile Santiago (Chile) Concepción (Chile) AIDS prevention Bible. Revelation Socialization Art Public sphere Community centers Artist collectives keyword: HIV-AIDS Mares of the Apocalypse transition in Chile visual arts artes visuales transición en Chile VIH-SIDA Yeguas del Apocalipsis ab: The following is a historical journey through the cities of Santiago and Concepción in Chile between 1987 and 1992, a period that we will call of "transition". We will present moments in which certain processes of HIV-AIDS visibility in the public sphere were combined with aesthetic tools from the visual arts' field such as graphics, performance and video-photography. We will focus mainly on the artistic collective Mares of the Apocalypse and on civil society organizations such as the Chilean Corporation for the Prevention of AIDS, the Center for Education and Social Health Prevention, among others. In reviewing this series of visibility strategies, we will describe the cultural and official scenario of sexual and health policies regarding HIV-AIDS and generate a dialogue or tension between both scenarios. El siguiente texto es un recorrido histórico transitando por las ciudades de Santiago y Concepción en Chile entre 1987 y 1992 un período que llamaremos de "transición". Vamos a presentar momentos en los cuales ciertos procesos de visibilidad del VIH-SIDA en la esfera cultural y pública se combinaron con herramientas estéticas provenientes del campo de las artes visuales como la gráfica, la performance y la fotografía-video. Nos enfocaremos principalmente en el colectivo artístico Yeguas del Apocalipsis y en organizaciones de la sociedad civil como la Corporación Chilena de Prevención del SIDA, el Centro de Educación y de Prevención de Salud Social, entre otras. Al revisar esta serie de estrategias de visibilidad iremos describiendo el escenario cultural y oficial de las políticas sexuales y de salud respecto al VIH-SIDA para generar un diálogo o tensión entre ambos escenarios. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Nomadías is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Nomadías holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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