Documenting the undocumented: testimony, attention and cinematic asylum in La Blessure.
Nicolas Klotz and Élisabeth Perceval's La Blessure (2004) bears witness to invisible state violence at the nation's borders, in airport zones of exception, where asylum seekers are detained, injured, cared for and forced to return. This early visual representation of repressive care in the current b...
| Publicado en: | French Screen Studies Vol. 22; no. 1; pp. 91 - 104 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb 2022
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| Acceso en línea: | Ver este registro en EBSCOhost |