Desde la maqama hasta el auto sacramental: la obra temprana de José Penso de la Vega.
This article discusses two early Hebrew works of José Penso de la Vega – the maqama Fábulas de animales (1668) and the autosacramental drama, Prisioneros de la esperanza (1673). The article focuses on the genre traditions in which the works were written, as well as on their poetic elements. The tran...
| Publicado en: | Bulletin of Hispanic Studies (1475-3839) Vol. 99; no. 2; pp. 75 - 91 |
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| Formato: | Artículo |
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Liverpool University Press / Journals
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=155237423&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 155237423 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14753839 01W jtl: Bulletin of Hispanic Studies (1475-3839) issn: 14753839 maglogo: N pubinfo: dt: 2022 vid: 99 iid: 2 pid: 39786 pub: Liverpool University Press / Journals artinfo: ui: 155237423 10.3828/bhs.2022.7 ppf: 75 ppct: 16 formats: fmt: @attributes: type: P size: 150KB tig: atl: Desde la maqama hasta el auto sacramental: la obra temprana de José Penso de la Vega. aug: au: DAVIDI, EINAT affil: University of Haifa sug: ab: This article discusses two early Hebrew works of José Penso de la Vega – the maqama Fábulas de animales (1668) and the autosacramental drama, Prisioneros de la esperanza (1673). The article focuses on the genre traditions in which the works were written, as well as on their poetic elements. The transition from the first work to the second epitomizes the emergence of Penso's unique Baroque allegorical perspective, expressed in later texts. On the poetological level, this transition amounts to an allegorization, validation and exaggeration of an interreligious polemic. The transition from prosaic elaboration of a Talmudic legend to a dramatic allegorical conflict is analysed not only as a moral message or an abstraction of the story, but also as a ('psychomachic') internalization of this polemic. Thus Penso's early work exemplifies the processes of allegorization as a transition from historical, external conflict into mental drama, which facilitates additional observations regarding psychomachich poetics. El artículo analiza dos textos en hebreo de Penso de la Vega, un ex-converso de la comunidad judía de Amsterdam: la maqama, Fábulas de animales (1668) y el auto sacramental Prisioneros de la esperanza (1673), y enfoca las tradiciones de género y sus componentes poéticos. La transición entre ambas obras refleja la madurez de la concepción barroca alegórica que aparecerá en textos posteriores y, a nivel poetológico, es una alegoría, validación y exageración del conflicto interreligioso en sus aspectos político-sociales. El paso de la reelaboración en prosa de una leyenda talmúdica a un conflicto dramático alegórico se focaliza en el mensaje moral o la abstracción del relato e internaliza la polémica interreligiosa y la identificación de las partes con fuerzas anímicas. La obra temprana de Penso ejemplifica procesos de alegorización como la transición del conflicto histórico a un drama anímico, que ofrece nuevas percepciones del surgimiento de una poética psicomáquica. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Bulletin of Hispanic Studies (1475-3839) is published by Liverpool University Press, and its content may not be copied or emailed to multiple sites or posted to a listserv without Liverpool University Press's express written copyright permission. However, users may print, download, or email articles for individual use. item: Bulletin of Hispanic Studies (1475-3839) holder: Liverpool University Press / Journals dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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