Curating China's Cultural Revolution (1966–1976): CR/10 as a Warburgian Memory Atlas and Digital Humanities Interface.
CR/10 is a digital oral history platform that aims to collect and preserve cultural memories of China's Cultural Revolution (1966–76). With a rhetorical analysis of the design features and curation processes of the CR/10 website, this article discusses the functions of CR/10 as a Warburgian memory a...
| Publicado en: | Information & Culture Vol. 57; no. 1; pp. 1 - 21 |
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| Formato: | Artículo |
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University of Texas Press
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=155256498&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 155256498 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 21648034 FB2C jtl: Information & Culture issn: 21648034 maglogo: N pubinfo: dt: 2022 vid: 57 iid: 1 pid: 519 pub: University of Texas Press artinfo: ui: 155256498 ppf: 1 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.1MB tig: atl: Curating China's Cultural Revolution (1966–1976): CR/10 as a Warburgian Memory Atlas and Digital Humanities Interface. aug: su: Cultural Revolution, China, 1966-1976 Ethnology Warburg, Aby, 1866-1929 Ethnographic analysis Digital humanities Collective memory Digital libraries Rhetorical analysis China sug: subj: China Cultural Revolution, China, 1966-1976 Ethnology Warburg, Aby, 1866-1929 Ethnographic analysis Digital humanities Collective memory Digital libraries Rhetorical analysis keyword: Aby Warburg Chinese Cultural Revolution CR/10 digital archive curation interface design ab: CR/10 is a digital oral history platform that aims to collect and preserve cultural memories of China's Cultural Revolution (1966–76). With a rhetorical analysis of the design features and curation processes of the CR/10 website, this article discusses the functions of CR/10 as a Warburgian memory atlas that shape the nonlinear, multifaceted narratives of a historical incident. Alongside this rhetorical analysis, I also conducted three sets of user experience studies with over thirty participants both within and outside the academy, including an ethnographic conference observation, a virtual ethnography of an online book group, and several semi-structured interviews, to examine CR/10's usability and propose new design opportunities to empower the interface. This article offers a strong case for the datafication of cultural memories and contributes to digital archives and humanities interface design with an innovative theoretical lens. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Information & Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Information & Culture holder: University of Texas Press dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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