Na przekór przemijaniu Roma aeterna w filmach Paola Sorrentina.

The article depicts images of Rome in four films of Paolo Sorrentino: The Family Friend (L’amico di famiglia, 2006), The Divine (Il Divo, 2008), The Great Beauty (La grande bellezza, 2013) and Them (Loro, 2018). Director, on the one hand, shows the socio-political and artistic collapse of the city,...

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Publicado en:Scripta Classica Vol. 17; pp. 227 - 244
Autor principal: Aleksandrowicz, Joanna
Formato: Artículo
Publicado: Wydawnictwo Uniwersytetu Slaskiego 2020
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Na przekór przemijaniu Roma aeterna w filmach Paola Sorrentina.
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        au: Aleksandrowicz, Joanna
        affil: Department of Cell Biology, New York University Medical Center, New York, New York, U.S.A
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      keyword:
        Italian cinema
        Paolo Sorrentino
        Roma aeterna
        Rome in film
        Italian cinema
        Paolo Sorrentino
        Roma aeterna
        Rome in film
      ab: The article depicts images of Rome in four films of Paolo Sorrentino: The Family Friend (L’amico di famiglia, 2006), The Divine (Il Divo, 2008), The Great Beauty (La grande bellezza, 2013) and Them (Loro, 2018). Director, on the one hand, shows the socio-political and artistic collapse of the city, on the other, presents the modern version of idea of Roma aeterna. However, eternity in Sorrentino´s works is not associated with military power nor religion, but with aesthetic. Eternal beauty of Rome contrasts with contemporary chaos in all analysed films, but at the same time – especially in The Great Beauty – it becomes an antidote against existential crisis and the passing of time.
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    language: Polish
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