Mapping Participation: Lawrence Halprin's RSVP Cycles Meets Richard Barrett's fOKT.
Visionary landscape architect Lawrence Halprin's The RSVP Cycles: Creative Processes in the Human Environment (1969, New York: George Braziller) is an interdisciplinary model for collaborating through and with notation. In this article, I outline RSVP's potential to articulate undertheorised connect...
| Publicado en: | Contemporary Music Review Vol. 40; no. 4; pp. 366 - 386 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Aug2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=155733255&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 155733255 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Aug2021 vid: 40 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 155733255 10.1080/07494467.2021.2001935 ppf: 366 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 858KB tig: atl: Mapping Participation: Lawrence Halprin's RSVP Cycles Meets Richard Barrett's fOKT. aug: au: Williams, Christopher A. su: Landscape architects Human ecology Avant-garde music Music improvisation New York (State) sug: subj: New York (State) Landscape architects Human ecology Avant-garde music Music improvisation keyword: Collaboration Experimental Music Improvisation Notation Participation ab: Visionary landscape architect Lawrence Halprin's The RSVP Cycles: Creative Processes in the Human Environment (1969, New York: George Braziller) is an interdisciplinary model for collaborating through and with notation. In this article, I outline RSVP's potential to articulate undertheorised connections between notation, collectivity, and improvisation in the work of a number of present-day composer-performers through the case study of British composer-improviser Richard Barrett's fOKT series (2005). At the same time, I show this music can help redress a number of blind spots in Halprin's own ideas about scores—especially the inclusive, participatory political vision that grounded them. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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