"Can you dance for me?" the (Im)possibility of speaking trauma in dance ethnography.
This article analyzes my six-year autoethnographic work in response to From Silence to Power in Austin, TX from 2013 to 2019. Performed by survivors of sexual abuse, the performance externalized trauma, recognized time via repetition, re-contextualized their minded-bodies and transformed from silenc...
| Publicado en: | Text & Performance Quarterly Vol. 41; no. 3/4; pp. 241 - 262 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jul-Oct2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=155832066&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 155832066 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 10462937 8R9 jtl: Text & Performance Quarterly issn: 10462937 maglogo: Y pubinfo: dt: Jul-Oct2021 vid: 41 iid: 3/4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 155832066 10.1080/10462937.2022.2038387 ppf: 241 ppct: 21 formats: tig: atl: "Can you dance for me?" the (Im)possibility of speaking trauma in dance ethnography. aug: au: Oh, Chuyun affil: The School of Music and Dance, San Diego State University, San Diego, CA, USA su: Autoethnography Dance Ethnology Emotional trauma Sexual assault sug: subj: Autoethnography Dance Ethnology Emotional trauma Sexual assault keyword: dance ethnography Performing autoethnography reverse ethnography sexual violence trauma ab: This article analyzes my six-year autoethnographic work in response to From Silence to Power in Austin, TX from 2013 to 2019. Performed by survivors of sexual abuse, the performance externalized trauma, recognized time via repetition, re-contextualized their minded-bodies and transformed from silenced victims to survivors. Kinesthetic empathy moved me to work through my trauma as a co-performer. I have written performance reviews, given three conference presentations and performed an autoethnography Dancethnography in TX, NY, MD, PA, and CA. This project evolved from ethnography on others, to autoethnography and to reverse ethnography through which I witness (im)possibilities of dance in speaking trauma due to decorative virtuosity. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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