Three String Quartets by Ivana Stefanović—Three Aspects of Serbian Music in the Second Half of the Twentieth Century.
The three string quartets by eminent Serbian composer Ivana Stefanović (b. 1948) were composed during three distinct periods of her oeuvre: modernism, avant-garde, and postmodernism. As such, they are paradigmatic for the development of Serbian modernist and avant-garde tendencies in the second half...
| Publicado en: | Contemporary Music Review Vol. 40; no. 5/6; pp. 699 - 720 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct-Dec2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=155892833&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 155892833 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Oct-Dec2021 vid: 40 iid: 5/6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 155892833 10.1080/07494467.2021.2022897 ppf: 699 ppct: 21 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.8MB tig: atl: Three String Quartets by Ivana Stefanović—Three Aspects of Serbian Music in the Second Half of the Twentieth Century. aug: au: Teparić, Srđan su: String quartets Twentieth century Musical form Quartets Playwriting Postmodern art Romanticism sug: subj: String quartets Twentieth century Musical form Quartets Playwriting Postmodern art Romanticism keyword: Ivana Stefanović Modernism Post Avant-Garde Postmodernism Serbian Avant-Garde Twentieth-Century String Quartet ab: The three string quartets by eminent Serbian composer Ivana Stefanović (b. 1948) were composed during three distinct periods of her oeuvre: modernism, avant-garde, and postmodernism. As such, they are paradigmatic for the development of Serbian modernist and avant-garde tendencies in the second half of the twentieth century. The First Quartet (1969–70) is a student work influenced by Enriko Josif, her professor of composition who was a member of the first modernist wave that appeared in Serbian music in the 1950s. The Second Quartet, Harmonies (1976), indicates Serbian avant-garde features with arched forms and music that 'emerges' from silence before 'drowning' in it. The Third Quartet, Play Strindberg (1993), is a departure from the previous two—it is a tonal piece with a clear form, written for a theatrical play. The dramatised musical story carries with it an emphasized need for the literarisation of musical form and a typically postmodernist attitude towards styles such as romanticism and modernism. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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