Smart Modelling for Literary History.

MiMoText is a research project in computational literary studies dealing with new ways to model and analyse literary history and literary historiography. It is based on the idea of extracting statements relevant to literary history from bibliographies, scholarly publications and primary sources, in...

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Publicado en:International Journal of Humanities & Arts Computing: A Journal of Digital Humanities Vol. 16; no. 1; pp. 78 - 94
Autores principales: Schöch, Christof, Hinzmann, Maria, Röttgermann, Julia, Dietz, Katharina, Klee, Anne
Formato: Artículo
Publicado: Edinburgh University Press Mar2022
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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      dt: Mar2022
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        atl: Smart Modelling for Literary History.
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          Schöch, Christof
          Hinzmann, Maria
          Röttgermann, Julia
          Dietz, Katharina
          Klee, Anne
      su:
        Linked data (Semantic Web)
        Data mining
        Text mining
        Digital humanities
        Literary criticism
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        subj:
          Linked data (Semantic Web)
          Data mining
          Text mining
          Digital humanities
          Literary criticism
      keyword:
        computational literary studies
        data modelling
        information extraction
        Linked Open Data
        literary history
      ab: MiMoText is a research project in computational literary studies dealing with new ways to model and analyse literary history and literary historiography. It is based on the idea of extracting statements relevant to literary history from bibliographies, scholarly publications and primary sources, in order to build a shared knowledge network for literary history. We employ methods from information extraction and text mining to obtain large numbers of statements about authors and literary works from our data. Moreover, we use the Linked Open Data paradigm to model, represent and query the information we obtain. We believe our project is a step towards a mode of digital humanities that goes not only beyond small, deeply encoded datasets and their close reading, but also beyond Big Data approaches that cannot always be easily adapted to the humanities. Instead, we propose a third way for digital humanities that develops quantitative methods to create and analyse datasets relevant to research in the humanities that are both larger and smarter than has been customary up until recently.
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      custom: Copyright of International Journal of Humanities & Arts Computing: A Journal of Digital Humanities is the property of Edinburgh University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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