Oenone (Her. 5), Acontius (Her. 20), and the Ovidian seruitium amoris.

This paper argues that an allegedly incriminating "imitation" of Heroides 20, which is from Acontius to Cydippe, in Heroides 5, which is from Oenone to Paris, is better understood as a pointed allusion. This understanding supports the authenticity of disputed passages in Heroides 5, sheds light on a...

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Publicado en:Illinois Classical Studies Vol. 46; no. 1/2; pp. 1 - 22
Autor principal: Thorsen, Thea S.
Formato: Artículo
Publicado: University of Illinois Press Spring/Fall2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Oenone (Her. 5), Acontius (Her. 20), and the Ovidian seruitium amoris.
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        au: Thorsen, Thea S.
        affil: Norwegian University of Science and Technologythea.selliaas.thorsen@ntnu.no
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        Imitative behavior
        Allusions
        Brand name products
        Females
        Rape
        Human voice
        Paris (France)
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          Paris (France)
          Imitative behavior
          Allusions
          Brand name products
          Females
          Rape
          Human voice
      ab: This paper argues that an allegedly incriminating "imitation" of Heroides 20, which is from Acontius to Cydippe, in Heroides 5, which is from Oenone to Paris, is better understood as a pointed allusion. This understanding supports the authenticity of disputed passages in Heroides 5, sheds light on a very Ovidian brand of the elegiac trope of seruitium amoris , where rape is an element, and stresses the importance of the female voices in both the single and double Heroides for our understanding of the Ovidian output as a whole.
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