'How We Were Never Posthuman': Technologies of the Embodied Voice in Pamela Z's Voci.
This article analyses composer Pamela Z's work in light of critiques of posthumanism from Black studies and sound/music studies. Z's large-scale multimedia work Voci (2003), which the artist describes as a 'polyphonic mono-opera', consists of a series of eighteen scenes that combine vocal performanc...
| Publicado en: | Twentieth-century Music Vol. 19; no. 1; pp. 3 - 28 |
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| Formato: | Artículo |
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Cambridge University Press
Feb2022
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| Acceso en línea: | Ver este registro en EBSCOhost |