Space, Landscape, and the Aesthetic Sensorium in Germinie Lacerteux.
Jacques Rancière has argued that in the nineteenth century, literature invents an aesthetic sensorium that reconfigures the relation between beings and their manner of inhabiting a space-time, such that any type of being may demonstrate the capacity for any type of feeling, sensation, passion, or ac...
| Publicado en: | Essays in French Literature & Culture no. 57; pp. 99 - 114 |
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| Formato: | Artículo |
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University of Western Australia
Oct2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=156309336&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 156309336 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 18357040 GBJE jtl: Essays in French Literature & Culture issn: 18357040 maglogo: N pubinfo: dt: Oct2020 iid: 57 pid: 20758 pub: University of Western Australia artinfo: ui: 156309336 ppf: 99 ppct: 15 formats: tig: atl: Space, Landscape, and the Aesthetic Sensorium in Germinie Lacerteux. aug: au: Vallury, Raji affil: University of New Mexico su: Rancière, Jacques, 1940- Nineteenth century Spacetime Aesthetics Senses Pleasure Landscapes sug: subj: Rancière, Jacques, 1940- Nineteenth century Spacetime Aesthetics Senses Pleasure Landscapes keyword: Aesthetic pleasure Aesthetic sensorium Flâneuse Germinie Lacerteux Landscape Space ab: Jacques Rancière has argued that in the nineteenth century, literature invents an aesthetic sensorium that reconfigures the relation between beings and their manner of inhabiting a space-time, such that any type of being may demonstrate the capacity for any type of feeling, sensation, passion, or action. Drawing upon this insight, my article studies the relationship between being and environment in the Goncourt Brothers' Germinie Lacerteux. Germinie's ways of experiencing a space or perceiving a landscape construct an aesthetic, sensual pleasure, whose refined artifice sits at odds with her brutish station in life. My conclusion reflects upon the politics of gender that may be deduced from such an aesthetic sensorium and the production of space that obtains from it. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2020 holdings: @attributes: islocal: N |
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