Elementi Kantove transcendentalne estetike u Einsteinovoj teoriji relativnosti.
Einstein was familiar with The Critique of Pure Reason from an early age and would return to Kant’s texts later in his life. Based upon research on Einstein’s and Kant’s approach to cognition and their argumentation on space and time, the authors claim that both represent a certain form of synthesis...
| Publicado en: | Obnovljeni zivot Vol. 77; no. 2; pp. 181 - 193 |
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| Autores principales: | , |
| Formato: | Artículo |
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University of Zagreb, Society of Jesus and Faculty of Philosophy & Religious Studies
2022
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | Einstein was familiar with The Critique of Pure Reason from an early age and would return to Kant’s texts later in his life. Based upon research on Einstein’s and Kant’s approach to cognition and their argumentation on space and time, the authors claim that both represent a certain form of synthesis between rationalism and empiricism; therefore, the authors’ research agrees with what has previously been published. However, Einstein interprets the a priori differently, though he does not reject it. In Einstein’s treatment of space and time as space–time, one can see that it coincides with Kant’s philosophy: namely, it is comprised of elements of spontaneity and syntheticity of cognition and of the separation of space and time from other categories but also their association in the act of sensory perception. Einstein je od rane životne dobi bio upoznat s Kritikom čistoga uma, a i kasnije se je vraćao Kantovim tekstovima. Na temelju istraživanja njihova pristupa spoznaji i njihove argumentacije o prostoru i vremenu, tvrdimo da obojica zastupaju određeni oblik sinteze racionalizma i empirizma, čime su naša istraživanja u suglasju s već objavljenim. Ipak, Einstein drugačije tumači apriorno, iako ga ne odbacuje. U Einsteinovu bavljenju prostorom i vremenom kao prostor–vremenom moguće je također čitati podudarnost s Kantovom filozofijom, koja se sastoji u elementima spontaniteta i sintetičnosti spoznaje te u izdvojenosti prostora i vremena od ostalih kategorija i njihovoj združenosti u činu osjetilnoga percipiranja. |
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