Ayurveda, philology and print. On the first printed edition of the Carakasaṃhitā and its context.

The transition from manuscripts to the print production of books involved not only publishers, printers and readers, but importantly also editors of texts. This essay combines insights from the history of Ayurveda, history of philology and history of the book to examine the role of different actors...

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Publicado en:South Asian History & Culture Vol. 13; no. 1; pp. 112 - 135
Autor principal: Pecchia, Cristina
Formato: Artículo
Publicado: Taylor & Francis Ltd Jan2022
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Ayurveda, philology and print. On the first printed edition of the Carakasaṃhitā and its context.
      aug:
        au: Pecchia, Cristina
        affil: Institute for the Cultural and Intellectual History of Asia (IKGA), Austrian Academy of Sciences, Vienna, Austria
      su:
        Philology
        Ayurvedic medicine
        First editions
      sug:
        subj:
          Philology
          Ayurvedic medicine
          First editions
      keyword:
        book history
        colonial Bengal
        History of Ayurveda
        history of philology
        Indian print
        book history
        colonial Bengal
        History of Ayurveda
        history of philology
        Indian print
      ab: The transition from manuscripts to the print production of books involved not only publishers, printers and readers, but importantly also editors of texts. This essay combines insights from the history of Ayurveda, history of philology and history of the book to examine the role of different actors in the transmission of the Ayurvedic textual tradition in nineteenth century South Asia. In particular, it focuses on the first printed edition of the Carakasaṃhitā (the oldest treatise of Ayurveda), its editor Gangadhar Ray Kaviraj (1798–1885), and the publisher Bhuvana Chandra Vasaka. It outlines the very beginnings of the 'print moment' in the history of Sanskritic Ayurveda: the Ayurvedic milieu of nineteenth century Bengal, that region's fast-growing commercial print industry and the context of the first print publication of another foundational work of Ayurveda, the Suśrutasaṃhitā, more than thirty years earlier than the Carakasaṃhitā. This essay argues that the use of the printed book, as a technology-based object, was part of a process of modernization and caste-identity formation. It argues further that indigenous philological practices had a crucial role in transmitting Ayurvedic knowledge, and that their interplay with publishing activities contributed to establishing a coherent body of textual sources within the Ayurvedic community and among the students of Sanskritic culture at large.
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