The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming.

Why does music listening in streaming services seem tied to a superstar economy despite the plenitude of digital music? This article explores what we label the streaming paradox: the way in which plenitude at the outset produces narrowness as the outcome. Based on dissection of the interfaces of str...

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Published in:Popular Music & Society Vol. 45; no. 3; pp. 300 - 317
Main Authors: Maasø, Arnt, Spilker, Hendrik Storstein
Format: Article
Published: Taylor & Francis Ltd Jul2022
Subjects:
Online Access:View this record in EBSCOhost
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        10.1080/03007766.2022.2026923
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        atl: The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming.
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          Maasø, Arnt
          Spilker, Hendrik Storstein
        affil:
          Department of Media and Communication, University of Oslo, Oslo, Norway
          Department of Sociology and Political Science, Norwegian University of Science and Technology (NTNU), Trondheim, Norway
      su:
        Digital music
        Gatekeeping
        Cultural pluralism
        Paradox
        Data analysis
      sug:
        subj:
          Digital music
          Gatekeeping
          Cultural pluralism
          Paradox
          Data analysis
      keyword:
        Algorithms
        cultural diversity
        music metrics
        music streaming
        platformization
      ab: Why does music listening in streaming services seem tied to a superstar economy despite the plenitude of digital music? This article explores what we label the streaming paradox: the way in which plenitude at the outset produces narrowness as the outcome. Based on dissection of the interfaces of streaming services, interviews with stakeholders, and analyses of user data, the article introduces six key gatekeeping mechanisms (and concepts) at work in the platforms. These mechanisms are combined effects of algorithmic coding, interface design, and human curation and choices and serve as explanations for the streaming paradox.
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    language: English
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      custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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