"The Blue Bird" and "L'Uccello turchino": Collodi: Translator of d'Aulnoy.

In spite of its crucial role in the creative process leading to Pinocchio, I racconti delle fate , Collodi's 1876 translation of tales by Charles Perrault, Marie-Catherine d'Aulnoy, and Jeanne-Marie Leprince de Beaumont, has received little critical attention. Drawing on Collodi's source—a nineteent...

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Publicado en:Marvels & Tales Vol. 35; no. 2; pp. 1 - 18
Autor principal: Bonanni, Veronica
Formato: Artículo
Publicado: Wayne State University Press 2021
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: "The Blue Bird" and "L'Uccello turchino": Collodi: Translator of d'Aulnoy.
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        au: Bonanni, Veronica
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        Blue Bird, The (Book)
        Translations
        Perrault, Charles, 1628-1703
        Aulnoy, Madame d' (Marie-Catherine), 1650 or 1651-1705
        Pinocchio (Book)
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          Blue Bird, The (Book)
          Translations
          Perrault, Charles, 1628-1703
          Aulnoy, Madame d' (Marie-Catherine), 1650 or 1651-1705
          Pinocchio (Book)
      ab: In spite of its crucial role in the creative process leading to Pinocchio, I racconti delle fate , Collodi's 1876 translation of tales by Charles Perrault, Marie-Catherine d'Aulnoy, and Jeanne-Marie Leprince de Beaumont, has received little critical attention. Drawing on Collodi's source—a nineteenth-century French anthology published for children—and on the second edition of I racconti delle fate that was corrected by the translator, this essay compares d'Aulnoy's "L'Oiseau bleu" ("The Blue Bird") and Collodi's "L'Uccello turchino" ("The Blue Bird"). Far from "introducing" comedy, parody, and other stylistic changes, Collodi only deepened and emphasized these features in d'Aulnoy's tales—features that, then, had a significant influence on Pinocchio.
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