Apparatus of Capture: Music and the Mimetic Construction of Social Reality in the Early Modern/Colonial Period.

This paper supplements Gebauer and Wulf's analyses of mimesis as a mechanism for the construction of social reality. After situating archaic musical mimesis in the context of Homeric performance and its critique in Plato, I demonstrate how musical mimesis functions as an assemblage of inscription of...

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Publicado en:	CounterText Vol. 8; no. 1; pp. 123 - 149
Autor principal:	Vélez, Daniel Villegas
Formato:	Artículo
Publicado:	Edinburgh University Press Apr2022
Materias:	Plato, 428-347 B.C. Social constructionism Colonies Inscriptions Music history Baroque music Mimesis Social values Indigenous peoples South America
Acceso en línea:	Ver este registro en EBSCOhost