Stage Devilry: Knowledge, Pleasure, and Antitheatricality on the Eighteenth-Century English Stage.
This essay discusses the figure of the devil in eighteenth-century theatrical works, focusing on two pantomimes based on the Faust legend: John Thurmond’s Harlequin Doctor Faustus; with the Grand Masque of the Heathen Deities and John Rich’s The Necromancer; or, Harlequin Doctor Faustus. Both pantom...
| Publicado en: | Journal for Early Modern Cultural Studies Vol. 21; no. 3; pp. 20 - 37 |
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| Formato: | Artículo |
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University of Pennsylvania Press
Summer2021
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| Acceso en línea: | Ver este registro en EBSCOhost |