Giunto nel luogo che volli fuggire. Il canto CX d’Ausiàs March.
The essay reflects on the ways in which March’s CX poem processes inner experience under the pressure of the madness of love. In particular, it reflects on the coexistence of synchronic and diachronic ways of living and representing the movements of the subject, in the light of a prismatic configura...
| Publicado en: | Scripta Vol. 19; no. 19; pp. 213 - 227 |
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| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Scripta
Jun2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=157267055&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 157267055 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23404841 GD46 jtl: Scripta issn: 23404841 maglogo: N pubinfo: dt: Jun2022 vid: 19 iid: 19 pid: 89094 pub: Scripta artinfo: ui: 157267055 10.7203/SCRIPTA.19.24472 ppf: 213 ppct: 14 formats: fmt: @attributes: type: P size: 2.1MB tig: atl: Giunto nel luogo che volli fuggire. Il canto CX d’Ausiàs March. aug: au: Cataldi, Pietro Pasqual, Cèlia Nadal affil: Università per Stranieri di Siena. su: Secularization Petrarca, Francesco, 1304-1374 Dante Alighieri, 1265-1321 Synchronic order Poetry (Literary form) Songs sug: subj: Secularization Petrarca, Francesco, 1304-1374 Dante Alighieri, 1265-1321 Synchronic order Poetry (Literary form) Songs keyword: Ausiàs March conversion secularisation song CX synchrony and diachrony Ausiàs March canto CX conversione secolarizzazione sincronia e diacronia ab: The essay reflects on the ways in which March’s CX poem processes inner experience under the pressure of the madness of love. In particular, it reflects on the coexistence of synchronic and diachronic ways of living and representing the movements of the subject, in the light of a prismatic configuration of consciousness. Related to this, the essay identifies in the composition the topos of conversion, but transported to a secular level, and therefor incapable of a real internal transformation. On the basis of that, the essay notes the constitutive differences with respect to the models of Dante and Petrarch, which are also present. Il saggio riflette sui modi in cui il canto CX di March elabora dell’esperienza interiore sotto la spinta della follia d’amore. In particolare riflette sulla compresenza di modalità sincroniche e diacroniche di vivere e rappresentare i movimenti dell’io, alla luce di una configurazione prismatica della coscienza. Riconosce poi nel componimento il topos della conversione, ma trasportato su un piano secolarizzato, e incapace dunque di una reale trasformazione interiore; e registra quindi le differenze constitutive rispetto ai modelli di Dante e di Petrarca, pure ben presenti. pubtype: Academic Journal doctype: Article src: R language: Italian refInfo: copyright: @attributes: flag: Y custom: Copyright of Scripta is the property of Scripta and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Scripta holder: Scripta dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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