La Glossa sobre l’Ave Maria molt devota del Natzaré: Transmissió textual, collatio subjacent i edició crítica.

The sung Latin texts of the liturgy and the prayers themselves end up generating a diverse typology of poems in the Romance language that depends, either with a certain literalness or through the mechanism of the gloss. In a certain symbiosis, of mutual benefit, we have to understand the need to con...

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Publicado en:Scripta Vol. 19; no. 19; pp. 241 - 281
Autor principal: Martos, Josep Lluís
Formato: Artículo
Publicado: Scripta Jun2022
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: La Glossa sobre l’Ave Maria molt devota del Natzaré: Transmissió textual, collatio subjacent i edició crítica.
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        au: Martos, Josep Lluís
        affil: Universitat d’Alacant.
      su:
        Romance languages
        Nineteenth century
        Manuscript preparation (Authorship)
        Poetry (Literary form)
        Symbiosis
        Prayers
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          Romance languages
          Nineteenth century
          Manuscript preparation (Authorship)
          Poetry (Literary form)
          Symbiosis
          Prayers
      keyword:
        cançoner
        gloss
        Marià Aguiló
        Natzaré
        poetry
        Ave Maria
        cançoner
        glossa
        Marià Aguiló
        Natzaré
        Pere Vilaspinosa
        poesia
      ab:
        The sung Latin texts of the liturgy and the prayers themselves end up generating a diverse typology of poems in the Romance language that depends, either with a certain literalness or through the mechanism of the gloss. In a certain symbiosis, of mutual benefit, we have to understand the need to consider the study of the original text and the resulting poem in parallel. On the one hand, the Latin sentence is the underlying text of a poem that glosses it and, therefore, functions as a hypotext and has ecdòtic value in philological reflection: this work defines this critical-textual mechanism as an underlying collatio. On the other hand, the Latin text is also unstable, it presents variations, even more so because this type of sentences are not completely fixed well into the Modern Age. From the poem itself in the Romance language, therefore, the textuality of its Latin source can be known and, in this way, the textual stage of the source can be reconstructed. This article studies and edits a manuscript poetic gloss of the Ave Maria, for which it analyzes the 19th century edition that transmits it and identifies its ancient manuscript source.
        Els textos llatins cantats de la litúrgia i les pròpies oracions o pregàries acaben generant una tipologia diversa de poemes en llengua romanç que en depenen, bé amb certa literalitat o bé a través del mecanisme de la glossa. En una certa simbiosi, de benefici mutu, hem d’entendre la necessitat de considerar en paral·lel l’estudi del text original i del poema resultant. D’una banda, l’oració llatina és el text subjacent d’un poema que la glossa i que, per tant, funciona com a hipotext i té valor ecdòtic en la reflexió filològica: aquest treball defineix aquest mecanisme crítico-textual com a collatio subjacent. D’una altra banda, el text llatí és també inestable, presenta variacions, més encara perquè aquest tipus d’oracions no queden completament fixades fins ben entrada l’Edat Moderna. Del propi poema en llengua romanç, per tant, es pot conéixer la textualitat de la seua font llatina i, d’aquesta manera, es pot reconstruir també l’estadi textual d’aquesta. Aquest article estudia i edita una glossa poètica manuscrita de l’Ave Maria, per a la qual cosa analitza l’edició del segle xix que la transmet i identifica la seua font manuscrita antiga.
      pubtype: Academic Journal
      doctype: Article
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    language: Catalan
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