Antifeminism, Anti-Blackness, and Anti-Oldness: The Intersectional Aesthetics of Aging in the Nineteenth-Century United States.

When feminists in the antebellum United States organized to end slavery and demand their rights, they immediately faced critics who ridiculed them as ugly old maids, wrinkled old ladies, and superannuated old ex-slaves. "Old" in this sense was not the same as old age but rather an aesthetic judgment...

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Publicado en:Signs: Journal of Women in Culture & Society Vol. 47; no. 4; pp. 843 - 884
Autor principal: Field, Corinne T.
Formato: Artículo
Publicado: University of Chicago Press Summer2022
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Antifeminism, Anti-Blackness, and Anti-Oldness: The Intersectional Aesthetics of Aging in the Nineteenth-Century United States.
      aug:
        au: Field, Corinne T.
        affil: Department of Women, Gender, and Sexuality, University of Virginia
      su:
        United States
        Ageism
        Middle-aged women
        Age
        White women
        Stereotypes
        Age groups
        Aesthetic judgment
      sug:
        subj:
          Ageism
          Middle-aged women
          Age
          White women
          Stereotypes
          Age groups
          United States
          Aesthetic judgment
      ab: When feminists in the antebellum United States organized to end slavery and demand their rights, they immediately faced critics who ridiculed them as ugly old maids, wrinkled old ladies, and superannuated old ex-slaves. "Old" in this sense was not the same as old age but rather an aesthetic judgment wielded by antifeminist and anti-Black journalists, caricaturists, and politicians to suggest that women speaking in public looked unattractive, ridiculous, or pitiful and should therefore be dismissed without engaging their ideas or political strategies. To gain a public hearing, feminists needed to shift how Americans saw mature women, but the very plasticity of the term "old" did more to divide women from each other than to create a unified age group. Images of female oldness remained keyed to middle-class marriage, racial difference, and chronological age in ways that divided old maids from married matrons, white women from Black women, and middle-aged women from those over sixty. Moving beyond a simplistic analysis of ageism, defined as prejudice by one age group toward another, this article develops an intersectional approach to analyzing the gendered and racialized aesthetics of oldness. By examining Anglo-American visual culture from the 1830s to the 1890s through the analytic of age, I demonstrate how antifeminist and anti-Black representations of female oldness created distortions in public recognition and led some women to internalize negative stereotypes with which abolitionists and feminists had to contend in order to enter politics.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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