The Art of Theater VI: Eugene Ionesco.
Presents an interview with playwright Eugene Ionesco. On being asked about when he became aware of his vocation as a writer, he replied "I always had been. When I was nine, the teacher asked us to write a piece about our village fete. He read mine in class. I was encouraged and continued. I even wan...
| Publicado en: | Paris Review no. 93; pp. 52 - 79 |
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| Formato: | Interview |
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Paris Review
Fall84
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=15770503&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 15770503 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00312037 PRV jtl: Paris Review issn: 00312037 maglogo: N pubinfo: dt: Fall84 iid: 93 pid: 314 pub: Paris Review artinfo: ui: 15770503 ppf: 52 ppct: 27 formats: fmt: @attributes: type: P size: 5.4MB tig: atl: The Art of Theater VI: Eugene Ionesco. aug: au: Guppy, Shusha affil: The Paris Review su: Ionesco, Eugène, 1912-1994 Dramatists Black humor Friendship Lyric poetry Surrealism Performing arts sug: subj: Ionesco, Eugène, 1912-1994 Dramatists Black humor Friendship Lyric poetry Surrealism Performing arts ab: Presents an interview with playwright Eugene Ionesco. On being asked about when he became aware of his vocation as a writer, he replied "I always had been. When I was nine, the teacher asked us to write a piece about our village fete. He read mine in class. I was encouraged and continued. I even wanted to write my memoirs at the age of ten. At twelve I wrote poetry, mostly about friendship 'Ode to Friendship?' Then my class wanted to make a film and one little boy suggested that I write the script." On being asked: "Apart from the central theme of death and the black humor which you share with the other two dramatists, there is an important oneiric, or dreamlike, element in your work. Does this suggest the influence of surrealism and psychoanalysis?" He replied that "None of us would have written as we do without surrealism and dadaism. By liberating the language, those movements paved the way for us. But Beckett's work, especially his prose, was influenced above all by Joyce and the Irish Circus people." pubtype: Periodical doctype: Interview src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Paris Review is the property of Paris Review and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Paris Review holder: Paris Review dt: @attributes: year: 1984 holdings: @attributes: islocal: N |
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