Designing the Golden Calf: Pens and Presumption in the Production of a "Divine" Image.
This article reexamines the creation of the golden calf in Exod 32:4a. Though the text in question is brief, it has been a puzzle to translators and commentators since the time of the LXX and warrants reassessment in light of new inscriptional and linguistic data. Syntactical analysis and comparativ...
| Published in: | Journal of Biblical Literature Vol. 141; no. 2; pp. 219 - 234 |
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| Format: | Article |
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Society of Biblical Literature
2022
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=157718290&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 157718290 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00219231 JBL jtl: Journal of Biblical Literature issn: 00219231 maglogo: N pubinfo: dt: 2022 vid: 141 iid: 2 pid: 11433 pub: Society of Biblical Literature artinfo: ui: 157718290 10.15699/jbl.1412.2022.2 ppf: 219 ppct: 15 formats: fmt: @attributes: type: P size: 300KB tig: atl: Designing the Golden Calf: Pens and Presumption in the Production of a "Divine" Image. aug: au: VanDyke, Elizabeth affil: University of California, Los Angeles, 90095 su: Golden calf (Bible) Exodus, The Mass commentators Inscriptions Translations sug: subj: Golden calf (Bible) Exodus, The Mass commentators Inscriptions Translations ab: This article reexamines the creation of the golden calf in Exod 32:4a. Though the text in question is brief, it has been a puzzle to translators and commentators since the time of the LXX and warrants reassessment in light of new inscriptional and linguistic data. Syntactical analysis and comparative Semitics show that Aaron not only produced the calf but designed it as well. This interpretation requires glossing the verb in the passage, , according to its cognates in Akkadian and Aramaic as "to draw" or "to design." The resulting translation solves the grammatical difficulties of the text and fits a greater cultural concern for the "divine design" of cultic objects. I will also suggest that the implement Aaron used to design the calf was not an engraving tool but a rush pen. Artifacts from Egypt as well as from Kuntillet 'Ajrud evidence how ancient scribes sketched, played with, and practiced their craft with ink and pen before creating a final product. Understanding the tool in this manner also suits its usage in Isa 8:1 as a writing instrument used on a large piece of papyrus. In sum, the translation "and he designed it with a rush pen and made it into a cast-metal calf" solves the grammatical and lexical difficulties of the passage while adding to our understanding of Exodus's overall polemic against the bovine image. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Biblical Literature is the property of Society of Biblical Literature and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Biblical Literature holder: Society of Biblical Literature dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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