FORMULAS IN FOLK VERSE AND FOLK PROSE: OVERLAP OR INDEPENDENCE?
The existence of formulas in traditional songs of various kinds has been long recognized by scholars, and the presence of formulas in traditional tales has increasingly become a subject of discussion too. This prompts the question whether an individual who has a substantial repertoire of both songs...
| Published in: | Croatian Journal of Ethnology & Folklore Research / Narodna Umjetnost Vol. 59; no. 1; pp. 7 - 22 |
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| Format: | Article |
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Institute of Ethnology & Folklore Research
Jun2022
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=157731121&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 157731121 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 05472504 3PT2 jtl: Croatian Journal of Ethnology & Folklore Research / Narodna Umjetnost issn: 05472504 maglogo: N pubinfo: dt: Jun2022 vid: 59 iid: 1 pid: 37460 pub: Institute of Ethnology & Folklore Research artinfo: ui: 157731121 10.15176/vol59no101 ppf: 7 ppct: 15 formats: fmt: @attributes: type: P size: 657KB tig: atl: FORMULAS IN FOLK VERSE AND FOLK PROSE: OVERLAP OR INDEPENDENCE? aug: au: ROPER, JONATHAN affil: University of Tartu su: Twenty-first century Newfoundland & Labrador sug: subj: Newfoundland & Labrador Twenty-first century keyword: folksong folktale formula genre Newfoundland žanr narodna pjesma narodna priča ab: The existence of formulas in traditional songs of various kinds has been long recognized by scholars, and the presence of formulas in traditional tales has increasingly become a subject of discussion too. This prompts the question whether an individual who has a substantial repertoire of both songs and tales would use some of the same formulas in both these two modes. Or would it be the case that, as tales and songs have their own separate norms and rules, their formulas will not involve any significant similarities? To provide an initial response to such questions, this article draws upon verbal art documented in the third quarter of the twentieth century from one remarkable Newfoundlander, whose recorded repertoire included nineteen different tales and more than thirty songs. U različitim vrstama tradicijskih pjesama već se dugo istražuju formule, a u novije se vrijeme o formulama sve više govori i u kontekstu tradicijskih priča. Stoga se možemo zapitati hoće li se kazivač sa znatnim repertoarom pjesama i priča dijelom koristiti istim formulama u ova dva modaliteta. Ili će, budući da priče i pjesme imaju svoje zasebne norme i pravila, formule biti različite bez značajnih sličnosti? U ovom se radu nastoji zacrtati put prema mogućem odgovoru na navedena pitanja, i to na temelju usmene tradicije zabilježene u drugoj polovici dvadesetog stoljeća kod jednog osobitog kazivača iz Newfoundlanda, čiji je zabilježen repertoar sadržavao devetnaest različitih priča i više od trideset pjesama. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Croatian Journal of Ethnology & Folklore Research / Narodna Umjetnost is the property of Institute of Ethnology & Folklore Research and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Croatian Journal of Ethnology & Folklore Research / Narodna Umjetnost holder: Institute of Ethnology & Folklore Research dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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