Deadly Pinter: Ghostly Precedents and New Possibilities for Staging.
Recent productions of Harold Pinter's full-length plays in the West End demonstrate how a fidelity to the text or previous productions can limit the scope for reinvention in future performances of Pinter's work. As a contribution to the discussion of how to stage Pinter, which has become even more u...
| Publicado en: | Modern Drama Vol. 65; no. 2; pp. 212 - 228 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
University of Toronto Press
Summer2022
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=157814273&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 157814273 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00267694 MOD jtl: Modern Drama issn: 00267694 maglogo: Y pubinfo: dt: Summer2022 vid: 65 iid: 2 pid: 678 pub: University of Toronto Press artinfo: ui: 157814273 10.3138/md-65-2-1219 ppf: 212 ppct: 16 formats: tig: atl: Deadly Pinter: Ghostly Precedents and New Possibilities for Staging. aug: au: Morton, Charles su: Pinter, Harold, 1930-2008 Museum theater Loyalty Shakespeare, William, 1564-1616 sug: subj: Pinter, Harold, 1930-2008 Museum theater Loyalty Shakespeare, William, 1564-1616 keyword: Deadly Theatre Peter Brook stage-craft West End ab: Recent productions of Harold Pinter's full-length plays in the West End demonstrate how a fidelity to the text or previous productions can limit the scope for reinvention in future performances of Pinter's work. As a contribution to the discussion of how to stage Pinter, which has become even more urgent since his death, this essay considers Peter Brook's theory of the Deadly Theatre from The Empty Space. The argument is not about the quality of these recent productions but rather about what is gained from more imaginative, if less reverential, approaches to Pinter's texts and what may be lost when we entomb the texts within their historical contexts. To avoid Pinter's plays becoming museum theatre, new approaches to the context in which his plays were written and to the detail of the text will allow for a greater range of interpretation and indeed a greater performance afterlife for Pinter's plays. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
|---|