On Repetition as an Invocation of the Subject. (The Stunt Man, Richard Rush, 1980).
The article brings together a psychoanalytical approach to repetition and to Richard Rush's movie The Stunt Man in order to show how a different understanding of Otherness, reality and desire can bring forth a subject much less exposed to a rigid, "paranoiac" view of the world. The director of a war...
| Publicado en: | International Journal on Humanistic Ideology Vol. 12; no. 1; pp. 65 - 75 |
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| Formato: | Artículo |
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International Journal on Humanistic Ideology
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=157862502&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 157862502 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 1844458X B5CM jtl: International Journal on Humanistic Ideology issn: 1844458X maglogo: N pubinfo: dt: 2022 vid: 12 iid: 1 pid: 61553 pub: International Journal on Humanistic Ideology artinfo: ui: 157862502 ppf: 65 ppct: 10 formats: fmt: @attributes: type: P size: 2.2MB tig: atl: On Repetition as an Invocation of the Subject. (The Stunt Man, Richard Rush, 1980). aug: au: LAZĂR, Gabriel affil: Technical University of Cluj-Napoca su: Stunt performers Hegel, Georg Wilhelm Friedrich, 1770-1831 Veterans Worldview War trauma Other (Philosophy) Peace movements Civilians in war War films sug: subj: Stunt performers Hegel, Georg Wilhelm Friedrich, 1770-1831 Veterans Worldview War trauma Other (Philosophy) Peace movements Civilians in war War films keyword: anxiety Hegel Lacan Other reality repetition ab: The article brings together a psychoanalytical approach to repetition and to Richard Rush's movie The Stunt Man in order to show how a different understanding of Otherness, reality and desire can bring forth a subject much less exposed to a rigid, "paranoiac" view of the world. The director of a war movie continuously alters his script, in search for powerful means to convey his anti-war message, and manages to shake the menacing reality of the war veteran who acts in the movie's stunt scenes. Similar to the Lacanian description for the direction of the treatment, the path to desire passes through anxiety, and - as the movie main theme goes - in "a world where nothing is what it seems", the traumas of the past war can finally stop pervading the present. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of International Journal on Humanistic Ideology is the property of International Journal on Humanistic Ideology and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: International Journal on Humanistic Ideology holder: International Journal on Humanistic Ideology dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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