The sonic strategies and technologies of listening alone together in The World According to Sound 's Outside In: A Communal Listening Series.

This article examines three dimensions of Chris Hoff and Sam Harnett's practices for producing, sharing and listening to audio in collective and social ways for The World According to Sound's Outside In: the sonic strategies and soundscape design used to engage communal and collective listening, how...

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Publicado en:Radio Journal: International Studies in Broadcast & Audio Media Vol. 20; no. 1; pp. 85 - 104
Autor principal: Galloway, Kate
Formato: Artículo
Publicado: Intellect Ltd. Apr2022
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: The sonic strategies and technologies of listening alone together in The World According to Sound 's Outside In: A Communal Listening Series.
      aug:
        au: Galloway, Kate
        affil: Rensselaer Polytechnic Institute
      su:
        COVID-19 pandemic
        Avant-garde music
        Listening
        Sounds
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          COVID-19 pandemic
          Other Sound Recording Industries
          Avant-garde music
          Listening
          Sounds
      keyword:
        broadcast media
        digital media
        environmental sound
        field recording
        internet studies
        sound studies
        soundscape
        spatial sound
        broadcast media
        digital media
        environmental sound
        field recording
        internet studies
        sound studies
        soundscape
        spatial sound
      ab: This article examines three dimensions of Chris Hoff and Sam Harnett's practices for producing, sharing and listening to audio in collective and social ways for The World According to Sound's Outside In: the sonic strategies and soundscape design used to engage communal and collective listening, how Outside In adapts and transforms traditional paradigms using the broadcast medium of the podcast to aesthetically engage with liveness and the corporeality of sound, and how the COVID-19 pandemic afforded space for 'unpopular' soundwork based on everyday aural architectures (e.g., field recordings, ambient music, experimental music based on everyday sounds, soundscape collages) that are popular, as in, of the community. Using varied examples drawn from The World According to Sound's soundwork, I illustrate a particular set of sonic strategies to imagine sonic space, listen relationally to sound events, and enact a sociality of collective listening.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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