Creative Collaborations: Australian Photomurals and International Expositions 1937–40.
This article explores innovations in photographic production and experimentation in Australia, especially Sydney, from 1935 to 1940. While many photographers and photographic societies were still promoting the aesthetics of Pictorialism, others were responding to new demands and opportunities provid...
| Publicado en: | History of Photography Vol. 45; no. 2; pp. 162 - 182 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
May2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=158078548&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 158078548 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03087298 B7I jtl: History of Photography issn: 03087298 maglogo: Y pubinfo: dt: May2021 vid: 45 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 158078548 10.1080/03087298.2022.2027139 ppf: 162 ppct: 20 formats: tig: atl: Creative Collaborations: Australian Photomurals and International Expositions 1937–40. aug: au: De Lorenzo, Catherine su: Photographic processing Photography associations Artistic photography Pictorialism (Photography movement) Photography of art Photographic murals Modernism (Aesthetics) sug: subj: Photographic processing Photography associations Artistic photography Pictorialism (Photography movement) Photography of art Photographic murals Modernism (Aesthetics) keyword: Douglas Annand (1903–76) international expositions photography in architecture photomurals Russell Roberts (1904–99) ab: This article explores innovations in photographic production and experimentation in Australia, especially Sydney, from 1935 to 1940. While many photographers and photographic societies were still promoting the aesthetics of Pictorialism, others were responding to new demands and opportunities provided by publishing, advertising, international expositions, local exhibitions and architecture. After introducing some of the forces for change, where there was often an easy exchange between photography and design, the article examines four case studies from 1937 to 1940. Three of these were generated by international expositions; all involved different types of photomurals and collaborations across the arts. These collaborations were instrumental in helping to shape Australian modernism and a postwar recovery within the arts. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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