| Sumario: | This article asserts that passages, fragments, whole works shift, slip away, continually re-align themselves. All languages vibrates between opacity and transparency. Lately, by means of a digital process or sandblasting, the author has been printing his drawings on glass. Glass, with its dual nature of clarity and shadow production, enables him to bring to the fore the shifting, slippery perspectives that haunt his attempts at "reading." Sometimes the author combine the glass prints with original drawings on paper.
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