In the Centre of the Cosmos: Sacred Spacetime in Niyi Osundare's 'A Song for Olosunta'.

Time and nature are two intertwined concepts. They are so inseparable that there is a temporal index to every spatial event and vice versa. Nothing happens in a space except at a time; neither does anything happen at a time except in a space. For the Nigerian poet, Niyi Osundare, time and space occu...

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Publicado en:English Studies in Africa Vol. 65; no. 2; pp. 35 - 44
Autor principal: Anolue, Chukwunwike
Formato: Artículo
Publicado: Taylor & Francis Ltd Oct2022
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Acceso en línea:Ver este registro en EBSCOhost
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        10.1080/00138398.2022.2096753
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        atl: In the Centre of the Cosmos: Sacred Spacetime in Niyi Osundare's 'A Song for Olosunta'.
      aug:
        au: Anolue, Chukwunwike
        affil: University of the Witwatersrand, South Africa
      su:
        Shrines
        Spacetime
        Ecocriticism
        Songs
        Worship
        Nature study
      sug:
        subj:
          Shrines
          Spacetime
          Ecocriticism
          Songs
          Worship
          Nature study
      keyword:
        animism
        festival
        Niyi Osundare
        Olosunta
        poetry
        religion
        sacred
        space
        spacetime
        time
      ab: Time and nature are two intertwined concepts. They are so inseparable that there is a temporal index to every spatial event and vice versa. Nothing happens in a space except at a time; neither does anything happen at a time except in a space. For the Nigerian poet, Niyi Osundare, time and space occupy a prominent place in his oeuvre, but critics tend to privilege one and ignore the other in their analyses of his poetry. Osundare also frequently poetizes animist deities of Ikere-Ekiti, the town in Southwest Nigeria where he was born and raised. He uses his poetry as a medium to worship the deities. This paper is a study of time and nature in relation to an animist god of Ikere-Ekiti. It fuses ecocriticism and temporal analysis to shed light on 'A Song for Olosunta,' a panegyric which evokes an annual festival in honour of Olosunta, a lithic god worshipped by Osundare and his fellow Ikere-Ekiti animists. Against the background of the annual festival inscribed in the poem, I examine the god as an ecological and temporal icon, highlighting the differences between his shrine and its surroundings; and between his timescape and the timescape outside the shrine.
      pubtype: Academic Journal
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      src: R
    language: English
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