The quest for new values: Carmen Martín Gaite's Don Duardos (1978).

This article examines Carmen Martín Gaite's adaptation of Gil Vicente's Tragicomedia de Don Duardos (c. 1522), produced in 1978 by the Centro Nacional de Iniciación del Niño y el Adolescente al Teatro (CNINAT). The CNINAT was a branch of the Dirección General de Teatro y Espectáculos and the Ministe...

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Publicado en:Journal of Spanish Cultural Studies Vol. 23; no. 3; pp. 299 - 315
Autor principal: Fernández, Esther
Formato: Artículo
Publicado: Taylor & Francis Ltd Sep2022
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The quest for new values: Carmen Martín Gaite's Don Duardos (1978).
      aug:
        au: Fernández, Esther
        affil: Department of Modern and Classical Literatures and Cultures, Rice University, Houston, TX, USA
      su:
        Vicente, Gil, ca. 1465-ca. 1536
        Cultural policy
        Education
        Service learning
        Children
      sug:
        subj:
          Cultural policy
          Education
          Service learning
          Children
          Administration of General Economic Programs
          Educational Support Services
          Administration of Education Programs
          All Other Miscellaneous Schools and Instruction
          Vicente, Gil, ca. 1465-ca. 1536
      keyword:
        Carmen Martín Gaite
        cultural politics
        feminism
        outreach
        Spanish Transition
        Carmen Martín Gaite
        cultural politics
        feminism
        outreach
        Spanish Transition
      ab: This article examines Carmen Martín Gaite's adaptation of Gil Vicente's Tragicomedia de Don Duardos (c. 1522), produced in 1978 by the Centro Nacional de Iniciación del Niño y el Adolescente al Teatro (CNINAT). The CNINAT was a branch of the Dirección General de Teatro y Espectáculos and the Ministerio de Cultura. Despite only four years of activity after it was created during the Spanish Transition, the CNINAT had a considerable impact on cultural policies geared toward children's education, especially through the performing arts. Founded by stage director José María Morera, the Center became a civic engagement initiative committed to promoting theater as an experiential tool for the new generation coming of age during complex political change in their most vulnerable, formative years. Within this context, Martín Gaite's adaptation of Don Duardos represents a paradigmatic experiment for two reasons. On the one hand, the adaptation emphasizes the novelist's prolonged commitment to developing and nurturing socially engaged children's literature. On the other, it exemplifies how it was possible to recast early modern Peninsular theater as a progressive, inclusive cultural legacy that guided young audiences to new values and ideals that gradually took hold during the Transition.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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