"Blanched with Fear": Reading the Racialized Soundscape in Macbeth.
A literary criticism of the play "Macbeth," by William Shakespeare is presented. It examines the racialized sounds of whiteness, the importance of Shakespeare's depiction of whiteness in the play for interpreting blackness, the contextualization of the play's soundscape by the social production of w...
| Publicado en: | Shakespeare Studies (Rosemont Publishing & Printing Corporation) Vol. 50; pp. 33 - 44 |
|---|---|
| Autores principales: | , |
| Formato: | Literary Criticism |
| Publicado: |
Rosemont Publishing & Printing Corporation
2022
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=159157241&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 159157241 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 05829399 SHS jtl: Shakespeare Studies (Rosemont Publishing & Printing Corporation) issn: 05829399 maglogo: N pubinfo: dt: 2022 vid: 50 pid: 1621 pub: Rosemont Publishing & Printing Corporation artinfo: ui: 159157241 ppf: 33 ppct: 11 formats: fmt: – @attributes: type: T – @attributes: type: P size: 743KB tig: atl: "Blanched with Fear": Reading the Racialized Soundscape in Macbeth. aug: au: BROWN, DAVID STERLING STOEVER, JENNIFER LYNN su: Macbeth (Play : Shakespeare) Shakespeare, William, 1564-1616 Racial identity of white people in literature Literature Animal sounds Elizabethan (Literary period) 17th century (Literary period) sug: subj: Macbeth (Play : Shakespeare) Shakespeare, William, 1564-1616 Racial identity of white people in literature Literature Animal sounds Elizabethan (Literary period) 17th century (Literary period) ab: A literary criticism of the play "Macbeth," by William Shakespeare is presented. It examines the racialized sounds of whiteness, the importance of Shakespeare's depiction of whiteness in the play for interpreting blackness, the contextualization of the play's soundscape by the social production of whiteness, and the disorder of the geographical outskirts evoked by Shakespeare via animal sounds heard by the characters. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Shakespeare Studies (Rosemont Publishing & Printing Corporation) is the property of Rosemont Publishing & Printing Corporation and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Shakespeare Studies (Rosemont Publishing & Printing Corporation) holder: Rosemont Publishing & Printing Corporation dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
|---|