El muralismo zapatista: Una revuelta estética.
This article deals with how Zapatismo has aesthetically addressed its political transformation and the aesthetic fruits it has achieved. To this end, the text interprets how the Zapatista identity has been created and re-created through the visual language of the 203 murals found in the territories...
| Publicado en: | Latin American Research Review Vol. 57; no. 1; pp. 19 - 42 |
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| Formato: | Artículo |
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Cambridge University Press
Mar2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=159200831&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 159200831 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 00238791 LAR jtl: Latin American Research Review issn: 00238791 maglogo: N pubinfo: dt: Mar2022 vid: 57 iid: 1 pid: 15979 pub: Cambridge University Press artinfo: ui: 159200831 10.1017/lar.2022.2 ppf: 19 ppct: 23 formats: fmt: @attributes: type: P size: 2.6MB tig: atl: El muralismo zapatista: Una revuelta estética. aug: au: i Puig, Salvador Martí affil: Área de Ciencia Política, Universidad de Girona, Girona, Catalonia, Spain. su: Ejercito Zapatista de Liberacion Nacional (Mexico) Aesthetics Solidarity Visual programming languages (Computer science) Amalgamation sug: subj: Aesthetics Solidarity Ejercito Zapatista de Liberacion Nacional (Mexico) Visual programming languages (Computer science) Amalgamation keyword: aesthetic revolt iconography murals resignification aesthetic revolt iconografía iconography murales murals resignificaci ón resignification revuelta estética zapatismo aesthetic revolt iconography murals resignification aesthetic revolt iconografía iconography murales murals resignificaci ón resignification revuelta estética zapatismo ab: This article deals with how Zapatismo has aesthetically addressed its political transformation and the aesthetic fruits it has achieved. To this end, the text interprets how the Zapatista identity has been created and re-created through the visual language of the 203 murals found in the territories of the Zapatista Rebel Autonomous Municipalities, and how this identity challenges official Mexican revolutionary imagery and creates a new activist iconography for Zapatista bases and the Zapatista solidarity movement. The work on iconographic creation and restructuring has been theoretically inspired by Geneviève Zubrzycki. The article concludes that the Zapatista murals have common features, the result of an amalgamation of not explicit conceptions of various external and internal subjects that have been confronting the link between art and social transformation in different ways. pubtype: Academic Journal doctype: Article src: R language: Portuguese refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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