Politik rakat: regional politics of the marginalised Indonesian domestic migrants.
There has been a rise in research on rap and hip hop as tools to unite and empower marginalised groups and communities in recent years. To contribute to this growing discourse, this paper draws from my fieldwork with Bali-based Eastern Indonesian rap group Mukarakat to explore the use of rap and hip...
| Publicado en: | Inter-Asia Cultural Studies Vol. 23; no. 3; pp. 384 - 407 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Sep2022
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=159232810&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 159232810 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14649373 B8U jtl: Inter-Asia Cultural Studies issn: 14649373 maglogo: N pubinfo: dt: Sep2022 vid: 23 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 159232810 10.1080/14649373.2022.2108205 ppf: 384 ppct: 23 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.8MB tig: atl: Politik rakat: regional politics of the marginalised Indonesian domestic migrants. aug: au: Yanko, William affil: The School of Media and Communication, RMIT University, Melbourne, Australia su: Rap music Hip-hop culture Cultural maintenance Immigrants Indonesians sug: subj: Rap music Hip-hop culture Cultural maintenance Immigrants Indonesians keyword: hip hop Political geography postcolonial state regional politics ab: There has been a rise in research on rap and hip hop as tools to unite and empower marginalised groups and communities in recent years. To contribute to this growing discourse, this paper draws from my fieldwork with Bali-based Eastern Indonesian rap group Mukarakat to explore the use of rap and hip hop as tools to unite and empower marginalised Eastern Indonesian domestic migrants in Western Indonesia. By framing my analysis through the notions of ethnic language rap as "grammar of the unpolitics," I identify three key political features: provincial, regional prejudice and cultural preservation. My research shows that these rappers, who are displaced from their hometowns, attempt to re-imagine their Indonesian identities while promoting the decentralisation of power and governance in Indonesia. To do so, these rappers, and others who follow them, have used ethnic languages as the focal point of their politics. By using ethnic languages from Eastern Indonesia that are rare in modern usage and unfamiliar to most Indonesians, the group links the topic of decentralisation of governance and cultural preservation to national prejudice and racism. They seek to influence changes while introducing these issues into the country's popular discourse in an increasingly segregated Indonesia. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Inter-Asia Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Inter-Asia Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
|---|