The Paris Opera Ballet Dancing Offstage: Work, Grace, and Race.

The spaces in which amateur and professional dancers practiced their art greatly changed during the Covid-19 pandemic due to the closures of theaters and dance studios, yet dance continued to bring people together online. This article studies the media presence of the Paris Opera Ballet (POB) betwee...

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Publicado en:French Politics, Culture & Society Vol. 40; no. 2; pp. 90 - 116
Autor principal: Nunn, Tessa Ashlin
Formato: Artículo
Publicado: Berghahn Books Jun2022
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        au: Nunn, Tessa Ashlin
        affil: Maître de Langue, École Normale Supérieure de Lyon, France
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        Opéra de Paris. Ballet
        COVID-19 pandemic
        Racism
        Dancers
        Dance schools
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          COVID-19 pandemic
          Racism
          Opéra de Paris. Ballet
          Fitness and Recreational Sports Centers
          Fine Arts Schools
          Independent Artists, Writers, and Performers
          Independent actors, comedians and performers
          Dancers
          Dance schools
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        art institutions
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        online media
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        art institutions
        ballet
        grace
        online media
        race
      ab: The spaces in which amateur and professional dancers practiced their art greatly changed during the Covid-19 pandemic due to the closures of theaters and dance studios, yet dance continued to bring people together online. This article studies the media presence of the Paris Opera Ballet (POB) between March 2020 and May 2021 to analyze how the aesthetic and moral concept of grace has evolved. During this difficult year, dance took on a therapeutic role as POB dancers offered free online classes and performed in video work, in addition to taking on a political role as discussions about racism in ballet sparked public debates.
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    language: English
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