3D recording of the so-called Spreti sarcophagus in the Basilica of San Vitale (Ravenna, Italy).
This article presents our experience in digitizing a Late Antique sarcophagus using and combining two different recording methods: Structure from Motion (SfM) and Structured Light Scanning. Due to preservation purposes, it was necessary to obtain a reliable 3D digital reproduction of the artifact to...
| Publicado en: | Digital Scholarship in the Humanities Vol. 37; no. 4; pp. 1281 - 1289 |
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| Autores principales: | , , , , , |
| Formato: | Artículo |
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Oxford University Press / USA
Dec2022
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=159850254&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 159850254 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 2055768X JEO9 jtl: Digital Scholarship in the Humanities issn: 2055768X maglogo: N pubinfo: dt: Dec2022 vid: 37 iid: 4 pid: 622 pub: Oxford University Press / USA artinfo: ui: 159850254 10.1093/llc/fqac029 ppf: 1281 ppct: 8 formats: fmt: – @attributes: type: T – @attributes: type: P size: 567KB tig: atl: 3D recording of the so-called Spreti sarcophagus in the Basilica of San Vitale (Ravenna, Italy). aug: au: Ugolotti, Greta Collina, Federica Zambruno, Simone Cornaglia, Marco Iannucci, Alessandro Urcia, Alberto affil: Department of Civil, Chemical, Environmental and Materials Engineering, University of Bologna , Italy Department of Cultural Heritage, University of Bologna , Italy Department of Near Eastern Languages and Civilization, Yale University , USA su: Mechanical behavior of materials Ravenna (Italy) sug: subj: Ravenna (Italy) Mechanical behavior of materials ab: This article presents our experience in digitizing a Late Antique sarcophagus using and combining two different recording methods: Structure from Motion (SfM) and Structured Light Scanning. Due to preservation purposes, it was necessary to obtain a reliable 3D digital reproduction of the artifact to perform observations, measurements, and produce graphic layouts for possible forthcoming restorations. The employment of two recording techniques (hardware + software) was necessary to overcome some loss of data that were registered during the acquisition phase. Each method showed some failure in detecting or processing portions of the object surface, mainly due to the mechanical properties of the material (marble) on which the sarcophagus is made. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: © 2019 EADH: The European Association for Digital Humanities. item: Digital Scholarship in the Humanities holder: Oxford University Press / USA dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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