The Cantor as a National Leader: Thought and Music of Cantor Pinhas Minkowsky.
European Jews' exposure to modernity in the nineteenth century led to major changes in the structure of the community's organization and the balancing of the foci of power, in its patterns of behavior and religious practices, as well as in its aesthetic sensibilities. Cantor Pinkhas Minkowsky (1859–...
| Publicado en: | Shofar: An Interdisciplinary Journal of Jewish Studies Vol. 40; no. 2; pp. 1 - 22 |
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| Formato: | Artículo |
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Purdue University Press
Summer2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=159872724&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 159872724 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08828539 6A0 jtl: Shofar: An Interdisciplinary Journal of Jewish Studies issn: 08828539 maglogo: N pubinfo: dt: Summer2022 vid: 40 iid: 2 pid: 19334 pub: Purdue University Press artinfo: ui: 159872724 10.1353/sho.2022.0022 ppf: 1 ppct: 21 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.8MB tig: atl: The Cantor as a National Leader: Thought and Music of Cantor Pinhas Minkowsky. aug: au: Rubinstein, Anat su: Religious behaviors Liquid modernity Jewish communities Nineteenth century Technological innovations Odesa (Ukraine) Eastern Europe sug: subj: Odesa (Ukraine) Eastern Europe Religious behaviors Liquid modernity Jewish communities Nineteenth century Technological innovations keyword: cantor cantorial music Jewish music modernity nationalism Odessa Pinkhas Minkowsky synagogue music ab: European Jews' exposure to modernity in the nineteenth century led to major changes in the structure of the community's organization and the balancing of the foci of power, in its patterns of behavior and religious practices, as well as in its aesthetic sensibilities. Cantor Pinkhas Minkowsky (1859–1924) held a prominent position in the attempts to redefine the soundscape of the synagogue during these tumultuous times in the annals of Eastern Europe's Jewish community. Minkowsky's overall work and thought are the products of a formative moment in the highly charged and complicated encounter between Jewishness and modernity in Odessa of the late nineteenth century and early twentieth centuries. His work and thought are an expression of his dealing with the discomfort and ambivalence that the encounter with modernity presented. Minkowky's thought concentrated on the roots of the national idea and the search for primordial authenticity, which constitute one of the most patent manifestations of modern nationalism. His musical works shed light on his musical acumen and expertise, but most importantly, they illuminate the dialectics between old and new, "emotion" and "order," and innovation and conservatism. Based on Philip Bohlmanʻs model, Minkowsky's role as "mediator" or "ambassador" in the encounter between tradition and modernity, as well as his role as a "music expert," rather than a "religious expert," are discussed. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Shofar: An Interdisciplinary Journal of Jewish Studies is the property of Purdue University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Shofar: An Interdisciplinary Journal of Jewish Studies holder: Purdue University Press dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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