The Folk Song of the Ashkenazim: The Problem of Genre Definition.
Preparing the first collection of Jewish folk songs for publication (1901), S. M. Ginsburg and P. S. Marek divided the material into groups according to genres. These methods of classifying largely determined the further development of folklore research both in Europe and Russia. New generations of...
| Publicado en: | Shofar: An Interdisciplinary Journal of Jewish Studies Vol. 40; no. 2; pp. 1 - 33 |
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| Formato: | Artículo |
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Purdue University Press
Summer2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=159872725&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 159872725 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08828539 6A0 jtl: Shofar: An Interdisciplinary Journal of Jewish Studies issn: 08828539 maglogo: N pubinfo: dt: Summer2022 vid: 40 iid: 2 pid: 19334 pub: Purdue University Press artinfo: ui: 159872725 10.1353/sho.2022.0023 ppf: 1 ppct: 32 formats: fmt: – @attributes: type: T – @attributes: type: P size: 789KB tig: atl: The Folk Song of the Ashkenazim: The Problem of Genre Definition. aug: au: Khazdan, Evgenia su: Folk songs Musicology Ashkenazim World War II Folklore Motion picture distribution Russia sug: subj: Russia Folk songs Musicology Ashkenazim World War II Folklore Motion picture distribution keyword: Ashkenazi folklore Jewish song M. Beregovski M. Kipnis music culture of the East European Jews N. Prilutski P. S. Marek S. M. Ginzburg Yiddish Song Z. Kiselgof ab: Preparing the first collection of Jewish folk songs for publication (1901), S. M. Ginsburg and P. S. Marek divided the material into groups according to genres. These methods of classifying largely determined the further development of folklore research both in Europe and Russia. New generations of scholars were brought up in accordance with this tradition, and perceived it as the basis for further research. Over the past century, the classification of genres proposed by Ginzburg and Marek has never been the subject of reflection and critical analysis. We could see that the compilers were looking for new, more convenient approaches to systematize the song material, but the scholars who were engaged in research of the Jewish musical tradition after World War II tried to adhere to the canon set at the beginning of the twentieth century. The purpose of this article is, first, to determine what has served as a model for genre classification, and second, to follow subsequent changes in the criteria in the definition of genres and in the approaches to the publication of song collections. An overview of a collection of folk song in Yiddish, published in the period from 1901 to 2007, as well as comparative analysis of their structures, allows the author to find "missing links" and to shed light to the reason for these changes. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Shofar: An Interdisciplinary Journal of Jewish Studies is the property of Purdue University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Shofar: An Interdisciplinary Journal of Jewish Studies holder: Purdue University Press dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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