Old Gringo y la frontera fílmica de Carlos Fuentes.
Carlos Fuentes, one of Mexico's most prolific writers and branded under the Latin American Boom, has received much attention throughout the years as a novelist. However, the work introduced to Hollywood in 1989 with the adaptation of his novel Gringo viejo (1985) did not receive the same attention....
| Publicado en: | Studies in Latin American Popular Culture Vol. 40; pp. 1 - 14 |
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| Formato: | Artículo |
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University of Texas Press
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=160099492&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 160099492 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07309139 LPC jtl: Studies in Latin American Popular Culture issn: 07309139 maglogo: N pubinfo: dt: 2022 vid: 40 pid: 519 pub: University of Texas Press artinfo: ui: 160099492 10.7560/slapc4004 ppf: 1 ppct: 13 formats: fmt: – @attributes: type: T – @attributes: type: P size: 748KB tig: atl: Old Gringo y la frontera fílmica de Carlos Fuentes. aug: au: Rentería, Marcos Pico affil: Defense Language Institute su: Fuentes, Carlos, 1928-2012 Latin Americans Gringo viejo (Book) Myself With Others (Book) Personas (Book) sug: subj: Fuentes, Carlos, 1928-2012 Latin Americans Gringo viejo (Book) Myself With Others (Book) Personas (Book) ab: Carlos Fuentes, one of Mexico's most prolific writers and branded under the Latin American Boom, has received much attention throughout the years as a novelist. However, the work introduced to Hollywood in 1989 with the adaptation of his novel Gringo viejo (1985) did not receive the same attention. Rather, it suffered the consequences of adaptation and gained many critics in the United States mainstream, which prevented him from reproducing the status he gained within the boom in the Spanish-speaking world. Carlos Fuentes's affection for film can be traced to his two nonfiction books, Myself with Others (1988) and Personas (2012). In both, Fuentes reflects on his life as a writer, highlighting the importance of cinematography to his work. This article marks the relation between Aura and Cortázar, along with Fuentes's friendship with Luis Buñuel. This article brings proof of the inception of his filmic passion and the deception brought by the rapid deceit of success in Hollywood of the late 1980s. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Studies in Latin American Popular Culture is the property of University of Texas Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Studies in Latin American Popular Culture holder: University of Texas Press dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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