The (New) Awakening of Soviet Jazz Culture in the 1960s.
Following the period of lowest political tolerance toward jazz from the late 1940s to the death of Stalin in 1953, Soviet jazz culture experienced gradual growth during Nikita Khrushchev's Thaw. This essay argues that the jazz awakening in the 1960s was part of the shestidesyatniki (Sixtiers) moveme...
| Publicado en: | Popular Music & Society Vol. 45; no. 4; pp. 467 - 486 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=160260283&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 160260283 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: Oct2022 vid: 45 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 160260283 10.1080/03007766.2022.2123500 ppf: 467 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: P size: 384KB tig: atl: The (New) Awakening of Soviet Jazz Culture in the 1960s. aug: au: Reimann, Heli affil: Historiafoorumi, University of the Arts Helsinki, Helsinki, Finland su: Stalin, Joseph, 1879-1953 Khrushchev, Nikita Sergeevich, 1894-1971 Jazz Nineteen sixties Toleration Leisure Soviet Union sug: subj: Soviet Union Stalin, Joseph, 1879-1953 Khrushchev, Nikita Sergeevich, 1894-1971 Jazz Nineteen sixties Toleration Leisure keyword: 1960s fandom jazz leisure ab: Following the period of lowest political tolerance toward jazz from the late 1940s to the death of Stalin in 1953, Soviet jazz culture experienced gradual growth during Nikita Khrushchev's Thaw. This essay argues that the jazz awakening in the 1960s was part of the shestidesyatniki (Sixtiers) movement and that legalization of jazz took place within the frameworks of Soviet leisure activities and amateur culture. In addition, the growth of Soviet jazz was influenced by American jazz diplomacy during the 1950s and 1960s, represented by Willis Conover and his Jazz Hour and the tours of the Jazz Ambassadors. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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