An Afropolitan in South Asia: Encounters between Postcolonial Subjects.
In this photo essay, the authors gather a set of photographs of only partially visible subjects to speak about the tense and unpredictable encounters between different postcolonial histories. Staged as a conversation between an anthropologist and a photographer, the essay touches on the necessary mo...
| Publicado en: | Radical History Review Vol. 2022; no. 144; pp. 218 - 228 |
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| Autores principales: | , |
| Formato: | Artículo |
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Duke University Press
Oct2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=160455069&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 160455069 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01636545 2AT jtl: Radical History Review issn: 01636545 maglogo: N pubinfo: dt: Oct2022 vid: 2022 iid: 144 pid: 154 pub: Duke University Press artinfo: ui: 160455069 10.1215/01636545-9847900 ppf: 218 ppct: 10 formats: fmt: – @attributes: type: T – @attributes: type: P size: 688KB tig: atl: An Afropolitan in South Asia: Encounters between Postcolonial Subjects. aug: au: Okereke, Emeka Krishnamurthy, Mathangi su: Postcolonialism Photographs Visual culture African diaspora Political science sug: subj: Postcolonialism Photographs Visual culture African diaspora Political science keyword: Africa anthropology encounter photography postcoloniality South Asia ab: In this photo essay, the authors gather a set of photographs of only partially visible subjects to speak about the tense and unpredictable encounters between different postcolonial histories. Staged as a conversation between an anthropologist and a photographer, the essay touches on the necessary modalities of such encounters, be it surprise, friendship, location and dislocation, or sometimes even invisibility. Central to the essay are conversations about encounters between the authors themselves, mediated by the sights, sounds, and serendipities of the postcolonial city. Using the Invisible Borders Trans-African Project—a decade-long venture bringing together artists, photographers, and writers in road trips across Africa—as a starting point, the essay considers the implications of broadening this imaginary into other borders and postcolonial border beings and whether this might constitute a particular kind of utopian project. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Radical History Review is the property of Duke University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Radical History Review holder: Duke University Press dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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