| Sumario: | The article focuses on the documentary *The Killing of America* (1982), directed by Sheldon Renan, which examines the United States' relationship with violence through a compilation of real footage from various violent incidents, spanning from the assassination of JFK to John Lennon. Initially deemed too graphic for mainstream release, the film gained a cult following and was later restored and screened at film festivals. Renan's approach contrasts with typical mondo films by presenting violence in a sober, unembellished manner, prompting discussions about the voyeuristic nature of media consumption and the societal implications of violence. The article also reflects on Renan's transition from film theorist to filmmaker and the broader context of violence in American cinema.
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