Translating and literary agenting: Anna Holmwood's Legends of the Condor Heroes.

The role of literary agents in translation is intriguing yet under-researched. The mechanism of literary agenting vis-à-vis the initiation and promotion of translated literature is unexplored. This essay attempts to fill the gap by analyzing how Anna Holmwood, the principal translator and co-literar...

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Publicado en:Perspectives: Studies in Translatology Vol. 30; no. 6; pp. 1059 - 1074
Autor principal: Diao, Hong
Formato: Artículo
Publicado: Taylor & Francis Ltd Dec2022
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Translating and literary agenting: Anna Holmwood's Legends of the Condor Heroes.
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        au: Diao, Hong
        affil: School of Foreign Languages, Chongqing Technology and Business University, Chongqing, People's Republic of China
      su:
        Literature translations
        Literary agents
        Transcription (Linguistics)
        Chinese language
        Heroes
        Gesture
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          Literature translations
          Literary agents
          Transcription (Linguistics)
          Chinese language
          Heroes
          Gesture
      keyword:
        Anna Holmwood
        Legends of the Condor Heroes
        Literary agenting
        Peter Buckman
        professional habitus
        translation publishing
      ab: The role of literary agents in translation is intriguing yet under-researched. The mechanism of literary agenting vis-à-vis the initiation and promotion of translated literature is unexplored. This essay attempts to fill the gap by analyzing how Anna Holmwood, the principal translator and co-literary agent of Legends of the Condor Heroes, has initiated and promoted the translation. It first lays out how Holmwood's professional habitus as a literary agent was prototyped and developed. Drawing on firsthand materials such as email exchanges, speech transcriptions, interview records, and agent reports, it then examines how Holmwood's professional habitus empowered her to act as the initiator (selecting the book to be translated, signing the agenting contract, pitching, recommending co-translators, and titling the volumes) and sales promoter (coining the tagline 'A Chinese Lord of the Rings' and promoting the book on BBC) of the translation project, and recounts the process by which this translation came into being. This essay endeavors to refresh our understanding of literary agenting of translation and to foster the conjunction of translation studies and publishing research.
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