Eugeni d'Ors's politics of aesthetics: a revision of his authoritarianism.
Drawing on Jacques Rancière's theorization of the aesthetic as a primary domain of experience where political norms and distinctions are configured, this article reconsiders Eugeni d'Ors' authoritarianism. By reading a wide array of his newspaper columns in both Catalan and Spanish, I first show tha...
| Publicado en: | Journal of Spanish Cultural Studies Vol. 23; no. 4; pp. 429 - 448 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Dec2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=160565285&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 160565285 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 14636204 B9W jtl: Journal of Spanish Cultural Studies issn: 14636204 maglogo: N pubinfo: dt: Dec2022 vid: 23 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 160565285 10.1080/14636204.2022.2141997 ppf: 429 ppct: 19 formats: fmt: – @attributes: type: T db: hlh ui: 160565285 – @attributes: type: P db: hlh ui: 160565285 tig: atl: Eugeni d'Ors's politics of aesthetics: a revision of his authoritarianism. aug: au: Krauel, Javier affil: Department of Spanish and Portuguese, University of Colorado Boulder, Boulder, CO, USA su: Rancière, Jacques, 1940- Prat de la Riba, Enric, 1870-1917 Authoritarianism Political systems Baroque art sug: subj: Authoritarianism Political systems Baroque art Rancière, Jacques, 1940- Prat de la Riba, Enric, 1870-1917 keyword: authoritarianism classicism Eugeni d'Ors Jacques Rancière politics of aesthetics authoritarianism classicism Eugeni d'Ors Jacques Rancière politics of aesthetics ab: Drawing on Jacques Rancière's theorization of the aesthetic as a primary domain of experience where political norms and distinctions are configured, this article reconsiders Eugeni d'Ors' authoritarianism. By reading a wide array of his newspaper columns in both Catalan and Spanish, I first show that d'Ors's allegiance to Prat de la Riba's conservative political Catalanism and his support for Primo de Rivera's and Franco's dictatorships share common aesthetic roots that put forward an invariable distribution of the sensible. Second, I argue that d'Ors's grounding of his politics in aesthetic categories opens a space of indistinction that temporarily loosens the strict hierarchies that structured his view of political communities. As seen in his fictional narratives La Ben Plantada and Sijé, as well as in his reflections on Baroque art, these moments of creative disruption, however, fall short of fully articulating modes of perception that break with those privileged in his classical aesthetic theory. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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