The Modern Subject Sensing its Agency: Khalīl al-Khūrī's Aesthetics of "Truth Mingled with Passion".

In the introduction to what is often labelled "the first Arabic novel", Khalīl al-Khūrī's Way, idhan lastu bi-Ifranjī (1859), the author not only criticises contemporary Westernisation, but also outlines a new aesthetics that integrates authenticity, logical plausibility, and passion (hawas). This a...

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Publicado en:Welt des Islams Vol. 62; no. 3/4; pp. 449 - 477
Autor principal: Guth, Stephan
Formato: Artículo
Publicado: Brill Academic Publishers 2022
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Modern Subject Sensing its Agency: Khalīl al-Khūrī's Aesthetics of "Truth Mingled with Passion".
      aug:
        au: Guth, Stephan
        affil: University of Oslo, Dept. of Culture Studies and Oriental Languages (IKOS), Oslo, Norway
      su:
        Aesthetics
        Authenticity (Philosophy)
        Plausibility (Logic)
        Emotions
        Philosophy
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          Aesthetics
          Authenticity (Philosophy)
          Plausibility (Logic)
          Emotions
          Philosophy
      keyword:
        emerging subjectivity
        nahḍa and emotion/passion
        plot narratives
        temporalisation
      ab: In the introduction to what is often labelled "the first Arabic novel", Khalīl al-Khūrī's Way, idhan lastu bi-Ifranjī (1859), the author not only criticises contemporary Westernisation, but also outlines a new aesthetics that integrates authenticity, logical plausibility, and passion (hawas). This article explains how al-Khūrī's advocacy of the "indigenous way of life", literary authenticity, and an emotionalisation of writing belong together. They spring from the same source, just as does the temporalisation inherent in the nahḍa 's predilection for plot narratives: the modern subject beginning to sense its agency and seeking to assert itself.
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    language: English
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