"THE DEVILS SANG MATINS SO PROPERLY:" FRANCIS XAVIER'S CLOSE ENCOUNTERS WITH DEMONS IN DANIELLO BARTOLI'S ASIA (1653).

Daniello Bartoli (1608--85) was commissioned to write the "official" history of the Society of Jesus a century after its foundation. Later called by Leopardi "the Dante of baroque prose," Bartoli offered a powerful representation of the overseas policies of his order, as well as an appealing overvie...

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Publicado en:Quaderni d'italianistica Vol. 42; no. 2; pp. 15 - 42
Autores principales: FREI, ELISA, MADELLA, LAURA
Formato: Artículo
Publicado: Iter Canada 2021
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: "THE DEVILS SANG MATINS SO PROPERLY:" FRANCIS XAVIER'S CLOSE ENCOUNTERS WITH DEMONS IN DANIELLO BARTOLI'S ASIA (1653).
      aug:
        au:
          FREI, ELISA
          MADELLA, LAURA
        affil:
          Goethe-Universität Frankfurt/Boston College
          Università di Parma
      su:
        Francis Xavier, Saint, 1506-1552
        Bartoli, Daniello
        Jesuits
        Spirituality
        Political change
        Pedagogical content knowledge
        International relations
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          Francis Xavier, Saint, 1506-1552
          Bartoli, Daniello
          Jesuits
          Spirituality
          Political change
          Pedagogical content knowledge
          International relations
      ab: Daniello Bartoli (1608--85) was commissioned to write the "official" history of the Society of Jesus a century after its foundation. Later called by Leopardi "the Dante of baroque prose," Bartoli offered a powerful representation of the overseas policies of his order, as well as an appealing overview of the remote lands its members visited for the first time. The main character and hero of Bartoli's treatise Asia (1653) is Francis Xavier (1506-52), the "Apostle of the Indies." This paper focuses on Xavier's "strange encounters" with the "Indian otherness," recounted by Bartoli as a confrontation with the "spiritual otherness." Our essay examines several episodes of supernatural events in which Bartoli indulged in a dramatic narrative. With his colorful language, did Bartoli want to encourage vocations to the order, fellow Jesuits to travel to Asia, to gain financial and political support, or all of them? These episodes will be analyzed from a historical point of view (how Bartoli used his sources) and in a pedagogic perspective (which message he wanted to spread and to which readership).
      pubtype: Academic Journal
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    language: English
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