"SPECCHIO HOR DI LUCIFERO, HOR DI CRISTO": GIOVAN BATTISTA ANDREINI'S MARY MAGDALENE AND THE DEBATE ON PROFESSIONAL THEATRE.
Between 1610 and 1652, the professional actor and playwright Giovan Battista Andreini (1576-1654) published six works on the figure of Mary Magdalene. This essay proposes a reading of this corpus of works as a singular attempt by a professional actor to recast his own image by actively engaging with...
| Publicado en: | Quaderni d'italianistica Vol. 42; no. 2; pp. 165 - 189 |
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| Formato: | Artículo |
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Iter Canada
2021
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=160779326&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 160779326 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02268043 2B0 jtl: Quaderni d'italianistica issn: 02268043 maglogo: N pubinfo: dt: 2021 vid: 42 iid: 2 pid: 78725 pub: Iter Canada artinfo: ui: 160779326 10.33137/q.i..v42i2.39695 ppf: 165 ppct: 24 formats: fmt: @attributes: type: P size: 231KB tig: atl: "SPECCHIO HOR DI LUCIFERO, HOR DI CRISTO": GIOVAN BATTISTA ANDREINI'S MARY MAGDALENE AND THE DEBATE ON PROFESSIONAL THEATRE. aug: au: LAIENA, SERENA affil: University College Dublin su: Andreini, Giovanni Battista, b. 1578 Theater Mary Magdalene, Saint, fl. 1st century Ethics Oxymoron Perception (Philosophy) sug: subj: Andreini, Giovanni Battista, b. 1578 Theater Mary Magdalene, Saint, fl. 1st century Ethics Oxymoron Perception (Philosophy) ab: Between 1610 and 1652, the professional actor and playwright Giovan Battista Andreini (1576-1654) published six works on the figure of Mary Magdalene. This essay proposes a reading of this corpus of works as a singular attempt by a professional actor to recast his own image by actively engaging with Counter-Reformation thought. At the same time, it deconstructs Andreini's patent compliance with Tridentine ideals and reveals that a subtle criticism, expediently hidden by the author, lies at the core of these works. In this corpus, Andreini points out the paradox inherent to the oxymoronic perception of professional performers in early modern Italy, especially actresses, who were considered diabolic by some, divine by others. He therefore censures the relativity in assessing their morality. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Quaderni d'italianistica is the property of Iter Canada and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Quaderni d'italianistica holder: Iter Canada dt: @attributes: year: 2021 holdings: @attributes: islocal: N |
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