DE ORFEO A LAS MÉNADES: HACIA UNA VIDEOPOESÍA NÓMADA EN THERE IS NO FORGETTING DE MARGARITA BECERRA CANO.
As a contribution to the study of video poetry produced by women, one of the first video poems ever produced in the Americas will be analyzed and discussed. In this work, the artist is committed to a decided and rhizomatic deterritorialization of the written poem, proposing an audiovisual creation t...
| Publicado en: | Revista Chilena de Literatura no. 106; pp. 487 - 514 |
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| Formato: | Artículo |
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Universidad de Chile
nov2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=160926223&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 160926223 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00487651 2BN jtl: Revista Chilena de Literatura issn: 00487651 maglogo: N pubinfo: dt: nov2022 iid: 106 pid: 30789 pub: Universidad de Chile artinfo: ui: 160926223 10.4067/s0718-22952022000200487 ppf: 487 ppct: 27 formats: fmt: @attributes: type: P size: 5.4MB tig: atl: DE ORFEO A LAS MÉNADES: HACIA UNA VIDEOPOESÍA NÓMADA EN THERE IS NO FORGETTING DE MARGARITA BECERRA CANO. aug: au: Guerrero-Hernández, Juan Carlos affil: Investigador independiente y Profesor visitante del Kalamazoo College su: Poetry studies Spacetime Gender Poetry (Literary form) Poets sug: subj: Poetry studies Spacetime Gender Poetry (Literary form) Poets keyword: gender translation transmediality video poetry détournement género traducción transmedialidad videopoesía ab: As a contribution to the study of video poetry produced by women, one of the first video poems ever produced in the Americas will be analyzed and discussed. In this work, the artist is committed to a decided and rhizomatic deterritorialization of the written poem, proposing an audiovisual creation that irreverently tears apart the figure of the authority of the male poet. Becerra Cano uses various types of translations to video-graphically trace a hybrid spacetime of potential nomadic and poetic creation, responding to the contemporary cultural and technological context with historical gender and colonial implications. Como contribución al estudio de la producción de videopoesía hecha por mujeres, se analiza y discute una de las primeras obras de videopoesía producida en el continente americano. En esta obra la artista, Margarita Becerra Cano, apuesta por una decidida y rizomática desterritorialización del poema escrito y propone una creación audiovisual que con irreverencia desgarra la figura de la autoridad del poeta hombre. La autora recurre a diversos tipos de traducciones a fin de trazar videográficamente un espacio-tiempo híbrido de potencial creación poética nómada que responda al contexto cultural y tecnológico contemporáneo con históricas implicaciones de género y coloniales. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Revista Chilena de Literatura is the property of Universidad de Chile, Facultad de Filosofia y Humanidades and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Revista Chilena de Literatura holder: Universidad de Chile, Facultad de Filosofia y Humanidades dt: @attributes: year: 2022 holdings: @attributes: islocal: N |
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